Offensive Humor + Space-Age Music = ROY AWBREY's "Laugh It Up!"

This is one of the greatest bad comedy album I've ever heard, an amazing documentation of mid-'60s culture at its' sick weirdest. I was personally knocked out by the fact that side 1 is recorded in my own San Fernando Valley stomping grounds, in a bowling alley cocktail lounge that I've actually been to. And what a side it is: when he isn't showing off his expensive Space-Age accordions' many hi-tech goo-gaws to the point that this is almost a demonstration album, he throws in one dud of a joke after another. It's just like a Neil Hamburger album, but while Neil's worst-comic-ever routine is the shtick of post-modern performer Gregg Turkington, this is the real deal: there is no, I mean NO audience reaction to any of his jokes. It's both hilarious and ghastly hearing him die on stage like this. Then sometimes when he completes playing a song, obviously fake crowd sound effects are ludicrously dropped in, making it sound like the Royal Room has the TARDIS-like ability to fit thousands into its small space.

Joined only by a drummer, Awbrey performs snippets or sizeable chunks of standards like "12st St Rag," "Never On Sunday," "Twilight Time", "Alley Cat," "Moonlight Serenade," and "Holiday For Strings," interspersed with jokes. It all ends with a lengthy, furious boogie-woogie jam (complete with drum solo) that must have had those suburban savages a-whoopin' and a-hollerin', dancing around the joint wearing novelty cocktail napkins on their heads. Just listen to that fake applause!

A newspaper ad has him billed as "the King of Comedy," leading Kliph Nesteroff to wonder if that's where Scorsese got the idea for his film of the same name...

Side 2, recorded in Anaheim (in a county south of L.A.) is an altogether different beast, a song-free non-stop cavalcade of bad jokes, usually of a naughty or lewd nature, in front of an actually appreciative audience. Rape jokes! "Queer" jokes"! More rape jokes! What is wrong with you, Orange County?!

That album cover makes it clear that his live show took it all to another level: a toilet-seat guitar! A three-boob bikini top! And that fact that there is zero biographical info on Awbrey out there makes me wonder if I didn't just dream up this whole thing.

ROY AWBREY "Laugh It Up!" (1965)

This blog has been on hold for a while, but, as I reported in the previous post, it looked like my hard drive with all my latest-and-greatest (including a number of vinyl rips) had died. I recovered most of it, and will endeavor to make up for lost time. Lots of stuff in the pipeline, dear maniacs, thanks for your patients. 

HAPPY (BAND)CAMPERS: CHILL EDITION

I don't even know how to deal with the death of David Bowie, at least so far as this blog is concerned. He was such a monumental figure in my musical upbringing that I wouldn't know where to begin. Ah well...in lieu of anything relevant, here's the post I had planned for today. If, like me, you've just been listening to lots of Bowie and want to take a break for something a little new and different, I must say that the mood of these songs is strangely appropriate: 

What will you do with all that xmas scratch your relatives laid on ya? What, they didn't give you anything? Bastards! No matter - these zesty-flavored new(ish) releases can be listened to, and in some cases downloaded, for free.

We're long-time fans of Twink, The Toy Piano Band, and not only can you now check out his entire discography on the Bandcamps, but you cats must also dig his latest:

"Dust Bunny"

This album is inspired by winter, and so has a somewhat more somber tone to it. Somber, yet cartoon-ish, if you can imagine that. The master of toy-tronica is in fine form on such pick hits as "Pipper Snitch," and "Sparklemuffin."

Not sure how I discovered Corpus Callosum, probably by searching for unusual instruments, but this bunch of eccentric California folkies have come up with what is possibly the most gorgeous tune on Bandcamp. Musical saws and accordions beautifully creak along with sing-along vocals:


Corpus Callosum: "Hymnal"


Now that you're all properly relaxed, I shall send you off to dream-land with this stunning bit of Eno-Frippy drum-less drone courtesy of the Connecticut combo Landing.

Landing: "Yon"


As with the Corpus Callosum track, I haven't really listened to much else by this group. I just keep returning to this one. Music to hibernate by... 

Ross Bolleter's Music For Ruined Pianos

A reader left a comment today: "How does one download from Google on a Mac? I cannot figure it out..." I'm not a Mac-intologist. Anyone?
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Rather than take old, decrepit pianos and attempt to repair and tune them, Australian composer/improviser Ross Bolleter makes new music out of "ruined" pianos. Bolleter approaches each piano as a singular entity, utilizing each instrument's lack of standard tuning, missing keys, broken strings, etc. to create strange, haunting, stirring sounds that would not be possible to make on a new piano. Which seems like a much more logical approach than taking every sound-making thing on the planet and forcing the limited range of the Western scale on it.

The music on this album hardly sounds like "piano music." The lengthy opening track is meditative loveliness, ranging from Asian gong sounds to birds calls in the background (this really is a 'field recording') to horror movie atmospherics. The remaining short tracks sound similar to John Cage's prepared piano works, but while Cage's pieces were gamelan-inspired and strictly written, these are free and jazzy. So ingenious one wonders why no-one thought of doing something like this before?

Ross Bolleter - Secret Sandhills and Satellites (Pieces For Ruined Pianos) (2006)
(UPDATE 7/15: Missing track now in file.)

Count Otto hepped me to this cat via this article about "Touring Australia's Piano Graveyards."

Pardon my Amazon cut-and pasting:

ROSS BOLLETER ruined pianos (+ accordion on 7)

1 - SECRET SANDHILLS - 28:00
2 - AXIS - 6:47
3 - DEAD MARINE - 6:10
4 - AND THEN I SAW THE WIND - 3:22
5 - CHORUS LINE - 1:39
6 - SAVE WHAT YOU CAN - 2:40
7 - GOING TO WAR WITHOUT THE FRENCH IS LIKE GOING TO WAR WITHOUT AN ACCORDION - 4:23
8 - TIME WAITS - 5:59
9 - COME NIGHT - 2:02
10 - JAUNTY NOTES OF PADDOCKS BRIGHT - 4:22
11 - OLD MAN PIANO - 1:46

"All digital recordings made in Australia around Perth and Alice Springs 2001-2005. Pieces for ruined pianos and pianos on the edge of ruin... The main work, inspired by an Aborigine painting, is the 28-minute Secret Sandhills, a generally slow-moving work spliced together from performances on six ruins. There are also 10 shorter and generally faster Satellites, some of which were performed on two ruined pianos simultaneously. Fresh new sounds from decaying old instruments."

COVER THE EARTH Vol. 5

When will it end?!  Still more bizarre international ethnic versions of Western pop hits. And by 'ethnic' I also mean American and European styles like bluegrass (# 6) and polka. Also: several Trinidad steel drum tracks (# 1, 9, and 18); the Moog hit "Popcorn" played as a South American chicha; Guns'n'Roses go cumbia; The Buggles go Bollywood; a jazz classic performed on sitars and tablas. And wasn't Bob Marley a lot more fun in the '60s, when he was covering the Archies?

COVER THE EARTH Vol. 5

1. Amral's Trinidad Cavaliers - The World is A Ghetto
2. Arsenio Rodriguez & the Afro Cuban Sound - Hang on Sloopy
3. Bappi Lahiri - Auva Auva ("Video Killed The Radio Star"/India)
4. Bob Marley - Sugar Sugar
5. Brave Combo - Double Vision cha cha
6. Bruce Hornsby-Ricky Skaggs - Superfreak
7. Cachicamo con Caspa y Leiko el perro de la IIIII dimension -Sweet Child o' Mine (Venezuela)
8. Chang Loo - Jambalaya (Hank Williams/China)
9. Esso Steelband - I Want You Back 
10. Jimmy Sturr - Splish Splash polka
11. Kiyohiko Senba and his Haniwa All Stars - Kono Mune no Tokimeki o  ("You Don't Have To Say You Love Me")
12. Lelu Thaert - Dance Soul (Booker T & The MGs "Hip Hug Her"/Cambodia)
13. Lennie Hibbert - Nature Boy ("It Was A Very Good Year"/Jamaica)
14. Los Tropicanos - My Sweet Lord (Brasil)
15. Petty Booka - Girls Just Want to Have Fun (Japan/Ja-waiin)
16. Chicha Libre - Popcorn Andino (Gershon Kingsley's "Popcorn"/Peru-USA)
17. Sachal Studios Orchestra - Take Five (Dave Brubeck/Pakistan)
18. Sapodilla Punch - Hold on I'm Coming
19. The Polka Floyd Show - Another Brick in the Wall

In case you missed 'em:
Vol. 1
Vol. 2
Vol. 3
Vol. 4

The Note-Ables: Worst Lounge Band Ever?

Back up by request: "Halloween Stomp."

The recent post re: Banda Plástica De Tepetlixpa Mex. reminded me of another wonderful exercise in musical incompetence, the most hapless lounge band I've ever heard..ladies and gentlemen, please welcome...The Note-Ables!

Maybe they should have been called the Note-Unables: sporting off-beat (in the original sense) drumming, mangled lyrics, goofy vocals, the occasional sick trumpet, and guitars so out-of-tune they're practically "No Wave," one has to wonder if these guys were deaf. I originally featured one song, their remarkable demolition of Chuck Berry's "Roll Over Beethoven" on my collection of private-press lounge wonders "I'll Take Las Vegas," and tho it's still the, uh, "highlight" of this album, there's plenty more goodies here: Neil Sedaka/Elton John's "Bad Blood," Glen Campbell's "Rhinestone Cowboy," and lots of Beatles. They have no feel for rock'n'roll, so naturally, there's plenty of it. Only the last couple songs, standards where horn and accordion take over, do they sound like they're in comfortable (tho no less incompetent) territory.

But you gotta love these guys - they sound like they're having a great time. Everyone's drunk and having a party, and the accordion is the coolest, most rock 'n' roll instrument in their world. Out-of-control naive exuberant joy is infinitely superior to such dull standards as technical skill and recording quality, right?

The Note-Ables: "Flipside" [USA, 1974]


1. Bad Blood
2. I Saw Her Standing There
3. She Loves You
4. Loves Not Always Kind
5. Sun Flower
6. Rhinestone Cowboy
7. Roll Over Beethoven
8. Way Down
9. Lost And Found
10. Can't Buy Me Love
11. So What's New
12. Bye Bye Blues - Baby Face

Tracks 4, 9, and 11 are originals.
Sadly, no biographical info out there. Have no idea where they're from.
Don't remember where I got this, but this isn't my copy - I believe the late, great Bellybongo site first posted it. So thanks to whoever!