HIPPIE NOISE IN A LAUNDROMAT

The self-titled 1971 album "The Roots Of Madness" is a truly historic avant/outsider artifact. Incredibly, the recordings of this, well, madness date back as far as 1969. That beats The Residents, and the LA Free Music Society were a couple years away from forming. And needless to say, The Great Punk DIY Explosion was far off on the horizon when this bag of nutters from the wholly unremarkable Northern California town of San Jose made this home-brew concoction. 

Ingredients: tinkly music boxes, short wave radios, free-jazz, blues guitar, beat poetry, smutty poetry, a Dada sensibility, a smart-ass sense of humor, sound effects, even an actual song or two. All common strategies now, but must have been fairly incomprehensible at the time. And yes, they did do gigs in laundromats. It's not like there were too many actual music venues in town to play.

Free listen/download:

"The Roots Of Madness"

One of the members, Don Campau, went on to a still-extant experimental music and public radio career.

COVER THE EARTH Vol. 6

I had not planned on compiling another selection of odd ethnic covers of Western hits, thinking that I had exhausted that particular well, but our pals over at the Growing Bored For A Living blog hit us with a treasure trove of exotic, unlikely reworkings of famous songs that you thought you were sick of, and it just demanded another volume. Which reminded me of some comments left in previous "Cover The Earth" posts offering suggestions, which I then tracked down. And I did have a few new discoveries me own self (I take full blame for the bagpipes). As with the previous volumes, some extreme liberties have been taken with the material, sometimes rendering them almost unrecognizable. Just the way we like it.

So thanks to Growing Bored (check the mammoth Bob Dylan cover project), and the nice Maniacs who suggested some suggestions. 

 "Cover The Earth Vol 6"

01 2Cellos - Welcome to the Jungle (Croatia/classical)
02 Red Hot Chili Pipers [that's PIPERS! Not "Peppers"] - We Will Rock You/Eye Of The Tiger/The Clumsy Lover (Scottish bagpipes)
03 Pastel Vespa - L'Anarchie dans l'U.K. (The Sex Pistols go French yeh-yeh, tho Ms. Vespa is Brazilian)
04 20th Century Steel Band - Loves Theme (Barry White goes Carib steel drum)
05 Don Sornrabeab - Mao (Drunk) (Play That Funky Music, Thai boy)
06 Alyssa ZezZA - Purple Rain (Italian singer, but a Brazilian bossa style here)
07 Ray Barretto - James Bond Theme (Latin jazz)
08 Red Hot Chili Pipers - Smoke on the Water/Thunderstruck/Upside down at Eden's Court
09 The Maytals - Give Peace A Chance (John goes Jamaican)
10 Finger 5 - I Want You Back (Jacksons go J-pop)
11 Isaya Mwinamo & His Merry Men - Bamba Ya Afrika ("La Bamba" in Kenya)
12 Joya Landis - Kansas City ('50s rock-n-roll inna ska stylee)
13 20th Century Steel Band - Theme From Shaft
14 Pastel Vespa - Blue Monday (a bit of Joy Division also cleverly cuts into this Brazilian bossa nova cover)
15 Los Tropicanos - Light My Fire (think these guys are also Brazilian, but I wouldn't call this bossa nova; 'Latin psych,' maybe?)
16 Ukulele Clan Band - Money for Nothing (Spanish folkies getting kinda bluegrass-y; hey, they kept the original un-PC lyrics)
17 Faye Wong - Dream Person (Chinese Canto-pop cover of The Cranberries' "Dreams")
18 Red Hot Chili Pipers - Hey Jude/The Mason's Apron

HAPPY (BAND)CAMPERS: WEIRD EDITION

"American Folk Music" is the most boring possible name for an album, but fear not! The latest release from veteran North Carolina wackos the Moolah Temple $tringband is anything but dull. They take songs from Harry Smith's venerable "Anthology of American Folk Music" and radically warp them by introducing such elements as exotic Middle Eastern-isms, clanging and banging percussion, incongruous '80s hip-hop style drum machine beatz, even a bit of rapping on one song, and mix them with the trad sounds of guitars, banjos, and a skillful fiddle that suggests that someone has been taking music lessons. The hideously/hilariously inappropriate combination of traditional folk music and Autotune (!) on "Farmland Blues" had me laffin' out loud. Also dig: the fuzz guitar crunch of "Little Moses" (even tho it goes on too long), and a version of "John Hardy" that might even be better than the Gun Club's? Scuzzy vocals are often distorted beyond recognition. "The Titanic," however, actually approaches mainstream respectability, complete with perfectly competent backing vox.

Moolah Temple $tringband: "American Folk Music"

More Bandcamp weirdness ahoy! L.A. nutters Freshly Wrapped Candies have unwrapped an old album of theirs from 1989 chock full of hermetic, inscrutable DIY obsessions that, perhaps inevitably, are sometimes reminiscent of The Residents, esp. on songs like "Grandfathers' Rug". Other standout songs like the downright catchy "Think" and the Beavis and Butthead-ish "Pitter Pat" don't immediately suggest any particular influences. Organically strange, but not off-puttingly so. It emerges from the haze with its' humanity intact.

Freshly Wrapped Candies: "I Like You" 

HAPPY (BAND)CAMPERS: CHILL EDITION

I don't even know how to deal with the death of David Bowie, at least so far as this blog is concerned. He was such a monumental figure in my musical upbringing that I wouldn't know where to begin. Ah well...in lieu of anything relevant, here's the post I had planned for today. If, like me, you've just been listening to lots of Bowie and want to take a break for something a little new and different, I must say that the mood of these songs is strangely appropriate: 

What will you do with all that xmas scratch your relatives laid on ya? What, they didn't give you anything? Bastards! No matter - these zesty-flavored new(ish) releases can be listened to, and in some cases downloaded, for free.

We're long-time fans of Twink, The Toy Piano Band, and not only can you now check out his entire discography on the Bandcamps, but you cats must also dig his latest:

"Dust Bunny"

This album is inspired by winter, and so has a somewhat more somber tone to it. Somber, yet cartoon-ish, if you can imagine that. The master of toy-tronica is in fine form on such pick hits as "Pipper Snitch," and "Sparklemuffin."

Not sure how I discovered Corpus Callosum, probably by searching for unusual instruments, but this bunch of eccentric California folkies have come up with what is possibly the most gorgeous tune on Bandcamp. Musical saws and accordions beautifully creak along with sing-along vocals:


Corpus Callosum: "Hymnal"


Now that you're all properly relaxed, I shall send you off to dream-land with this stunning bit of Eno-Frippy drum-less drone courtesy of the Connecticut combo Landing.

Landing: "Yon"


As with the Corpus Callosum track, I haven't really listened to much else by this group. I just keep returning to this one. Music to hibernate by... 

Happy Tax Day, America!

Was just gonna re-up both sides of the outsider oddity that is Ah-Ah Allen's "Kick The IRS" single, but why stop there? Behold!

A wee Taxday Mix

Ah-Ah Allen - Kick The IRS
Ah-Ah Allen -Montana I'm So Proud of You
F.U.2 - Tax Exile (late '70s fake-punk)
Lenlow - To the Taxmobile! (classic mashup from 2004: Beatles vs Surfaris vs "Batman" theme)
rx - Taxman Obama (The Prez "sings" the Beatles)

My fellow Americans! Remember, April 15 is the day to show Uncle Sam your love.

TOILET TIDBITS

Zoogz Toozday returns with some re-up requests: the sick punk/jazz/prog of Zoogz Rifts' "Amputees In Limbo," "Island of Living Puke," and "Torment" are all back on-line. And if that still isn't enough scatological humor for ya, plug your nose and dive into this:

TOILET TIDBITS

courtesy of reader Duke Kola, who sounds like a pretty cool grandpa. He writes: "I made this mix (with a couple of changes) a few years back for my pre-teen grandson. Never fails to bring a few smiles to my face regardless of how many times I listen."

Now this may seem like a somewhat dubious concept for a mix, but if you're gonna sing about such stuff, you've got to have: a) a sense of humor, and b) a lack of inhibitions, both of which are sterling qualities for an artist to possess. Not to mention the fact that you've pretty much thrown all commercial potential and radio play hopes out the window once you've gone down this path, another admirable move. And this is indeed a very entertaining listen, more so than I was expecting. 

I personally would have added the Bonzo Dog Band's "The Strain," but I'm sure we all have our favorites.

-----------------------------------
01. Amsterdam Dog Shit Blues - Mojo Nixon
02. Caca De Vaca - Joe 'King' Carrasco
03. Snake Bit and Can't Shit - Root Boy Slim
04. Constipation Blues - Screamin' Jay Hawkins
05. Somebody Just Poop - Goofy
06. Somebody Farted - Bobby Jimmy
07. Fart - Breetles
08. I Can't Stop Farting - The Queers
09. Old Fart At Play - Captain Beefheart
10. The Phantom Windbreaker - Red Bovine
11. Pissin' In The Wind - Ernie Payne
12. Pissin' On Your Steps - Del the Funky Homosapien
13. Wee Wee - Abner Jay
14. Piss On the Wall - J. Geils Band
15. Urine Your Out - Prehistoric Cavemen
16. The Thing From Uranus - Sloppy Seconds
17. Shit Don't Stink - TMA
18. Shit For Brains - Nervous Eaters
19. Bag of Shit - Sean Price
20. Shit Can Happen - D12
21. Shaving Cream - Byron Lee
22. Disco Defecation - Flash Bouyancy
23. The Slurf Song - Holy Modal Rounders
24. When the Shit Hits the Fan - Circle Jerks
25. Piece of Crap - Neil Young
26. My Shit's Fucked Up - Warren Zevon
27. Why Does It Hurt When I Pee - Pancho and Sancho
28. I Ain't Gonna Piss in No Jar - Mojo Nixon
29. Don't Eat the Yellow Snow - Frank Zappa


Thanks a heap, Duke!

COVER THE EARTH Vol. 5

When will it end?!  Still more bizarre international ethnic versions of Western pop hits. And by 'ethnic' I also mean American and European styles like bluegrass (# 6) and polka. Also: several Trinidad steel drum tracks (# 1, 9, and 18); the Moog hit "Popcorn" played as a South American chicha; Guns'n'Roses go cumbia; The Buggles go Bollywood; a jazz classic performed on sitars and tablas. And wasn't Bob Marley a lot more fun in the '60s, when he was covering the Archies?

COVER THE EARTH Vol. 5

1. Amral's Trinidad Cavaliers - The World is A Ghetto
2. Arsenio Rodriguez & the Afro Cuban Sound - Hang on Sloopy
3. Bappi Lahiri - Auva Auva ("Video Killed The Radio Star"/India)
4. Bob Marley - Sugar Sugar
5. Brave Combo - Double Vision cha cha
6. Bruce Hornsby-Ricky Skaggs - Superfreak
7. Cachicamo con Caspa y Leiko el perro de la IIIII dimension -Sweet Child o' Mine (Venezuela)
8. Chang Loo - Jambalaya (Hank Williams/China)
9. Esso Steelband - I Want You Back 
10. Jimmy Sturr - Splish Splash polka
11. Kiyohiko Senba and his Haniwa All Stars - Kono Mune no Tokimeki o  ("You Don't Have To Say You Love Me")
12. Lelu Thaert - Dance Soul (Booker T & The MGs "Hip Hug Her"/Cambodia)
13. Lennie Hibbert - Nature Boy ("It Was A Very Good Year"/Jamaica)
14. Los Tropicanos - My Sweet Lord (Brasil)
15. Petty Booka - Girls Just Want to Have Fun (Japan/Ja-waiin)
16. Chicha Libre - Popcorn Andino (Gershon Kingsley's "Popcorn"/Peru-USA)
17. Sachal Studios Orchestra - Take Five (Dave Brubeck/Pakistan)
18. Sapodilla Punch - Hold on I'm Coming
19. The Polka Floyd Show - Another Brick in the Wall

In case you missed 'em:
Vol. 1
Vol. 2
Vol. 3
Vol. 4

Ambient-Abstract-Noise

For those moments when you need to get away from the idea of music as, y'know, tunes, what with all those distracting rhythms, melodies, lyrics and other fancy accouterments, and you just want to, as Cage said, let music be itself: tracks from recommended new(ish)* releases that soothe body and soul in a colorful sonic bath. And by "soothe" of course I mean that this ain't no New Age audio wallpaper, but can get rather dark and weird at times.

27 minutes of: ambientabstractnoise




1. Philip Jeck "1986 Frank Was 70 Years Old" (from "Surf") - Turntableism as ambient sound collage; guest vox from Woody Woodpecker.

2. Back Magic "Future Graves" (from "Chorus Line To Hell") - Duo's guitar/drum lo-fi racket sometimes resembles actual rock music, and quite nice rock music at that; then we get to this chilling instro, based on a keyboard and air-raid siren sound effects; the apocalypse has never sounded so appealing.

3. Carolina Eyck & Christopher Tarnow "10,000 Bells" (from the as yet unreleased "Improvisations for Theremin and Piano, Vol 1") - Another duo, but they're German, and have had music lessons. Eyck in fact, studied under Lydia Kavina, Leon Theremin's grand-niece and former member of Messer Chups.

4. Allen Ravenstine & Robert Wheeler "Nocturne" (from "City Desk") - YES!! The once and future synth wizards of the mighty Pere Ubu have teamed up for two albums ("City Desk" and "Farm Report") of pure unadulterated analogue electro improv sci-fi soundscape loveliness. "At points one or the other musician would leave the room, letting the antique synthesizer fill in his parts until he returned." 

5. Chris Campbell / Grant Cutler "Song 2" (from "Schooldays Over") - The all-too-brief album is a meditation on Ewan MacColl's 1961 Irish folk ballad about kids moving straight from school to backbreaking labor; the song is teased apart and beautifully reconstructed on such self-descriptive tracks as "Pump Organ, Gongs, Balloon Bassoons." Marimbas, glockenspiels and kotos also join the keyboards in beautiful melancholy.

6. Chris Campbell "Water Mirror" (from "Things You Already Know") - Campbell's really been hittin' it lately, what with his work for the crucial Innova label, and not one but two excellent recent albums. On this one, a fairly large cast perform both on standard stuff and on invented instruments and oddities like propane tanks, psaltrys, and singing bowls for something in between ambient, minimalism, and freak rock. So nice.

I also quite liked THIS. 

* Except for the Philip Jeck which came out in 1998 but I only just discovered it.

ADIOS A LOS BEATLES

There is no more glorious sound for jaded ears than this rural Mexican brass band blowing berserk, off-key, highly enthusiastic instrumental versions of Beatles songs. Even the dreaded "Ob-La-Di, Ob-La-Da" sounds great as a crazy carnival theme. Sadly, nothing is known about the band responsible for this genuine piece of folk-art madness other than that they were from, as their name would indicate, Tepetlixpa.  

The lack of info almost makes me wonder if this isn't a hoax. Consider the name Banda Plástica De Tepetlixpa Mex.: a reference to Plastic Ono Band? And the back cover tells a preposterous story of Lennon and McCartney visiting Tepetlixpa. But there is still plenty of information that has not been captured in the internet's nets, and these guys could very well have simply never been documented in their time. Tepetlixpa, after all, is a pretty obscure little village, warranting only a few sentences on their skimpy wiki page...if they really were from Tepetlixpa. I've heard no indications that this is a hoax, but even if it is, it's still as enjoyable as The Portsmouth Sinfonia, or Fritz Guckenheimer and his Sour Kraut Band.

We're Banda Plástica De Tepetlixpa Mex.
We hope you will enjoy the show:  

"ADIOS A LOS BEATLES"

01 Ob-La-Di, Ob La Da

02 I Want To Hold Your Hand

03 Carry That Weight

04 Yesterday 

05 Eleanor Rigby

06 Yellow Submarine

07 Hey Jude

08 Girl

09 I Should Have Known Better

10 A Hard Days Night

PRAISE THE LORDS: 3 ALBUMS OF GERMAN BEAT/PSYCH

Recently we posted an album by "The Rattles," a curious early German take on rock-n-roll. The Lords were another band from the '60s pre-Krautrock era, very famous and successful in their homeland, but more likely to rise eyebrows and cause mutterings of "WTF..?" from elsewhere. Their English lyrics in particular are, er, interesting. And how 'bout those fashion-challenged album covers?

"Some Folks By The Lords" (1967) is largely a collection of covers, many of them strangely inappropriate for an alleged rock band to be performing. Perhaps they and/or their audience simply didn't know enough about American music to make genre distinctions. Or maybe they were geniuses who realized it didn't matter: "Miss Otis Regrets" may be a Cole Porter showtune, but it's still a great song.  Much of it, like "East Virginia" and "Sing Hallelujah," are inspired by 'down-home' folk and gospel. "San Miguel" is sung in a ludicrous Spanish accent on top of their usual sometimes-thick German accent. And I must admit: "Greensleeves" made me giggle.

"Ulleogamaxbe" (1969): No more fake-folk Americana covers - it's fake UK psych this time. Tho it's two years after the fact, they finally betray a 'Sgt Pepper' (or at least a BeeGees) influence, what with all the strings, horns, and "poetic" ambition. After six songs of this, we get an unexpected proto-metal garage fuzz blast in the excellently apocalyptic "The World Is Falling Down". The frantic "Fire" could be a Roger Corman exploitation film theme song. Musically, "Poor Chin-Lee" is a Pet Sound-alike; vocally and lyrically, however, not even Brian Wilson was this weird. On "Cut My Hair" they "get back" to basic rock n roll, tho I don't recall Little Richard ever penning lyrics that detail instructions to his barber. The bonus single "John Brown's Body" goes back to the American folk/gospel of the first album, but now with added flutes and intrusive sound-collage elements. And it's b-side is a cover of Eddie Cochran's "Somethin' Else" that out-punks the Sid Vicious version of a decade later. Apparently, these guys will do any style at least once, and do it strangely. Does anyone have any idea what that album title means?

"Shakin' All Over '70" is a bit of a hodge-podge, with a few tracks repeated from "Ulleogamaxbe." The title track recasts the rockbilly swinger into a "heavy" acid-rock-with horns biker stomper. "Feeling Chicago" is a response to modern bad-man ballads like "Rocky Racoon" or "Bad Bad Leroy Brown." "Four O'Clock In New York" is a swell bit of Bay City Rollers-ish bubblegum, while the chicken-squawking "Talk About Love" from 1970 might be the most ridiculous thing these guys did, and that's saying something. Needless to say, it's one of my favorites. 

Elsewhere, the flower-power sounds continue as if it were still the Summer of Love. The fact that they cover not one but two songs from the "Hair" soundtrack suggest that they either never really understood what rock'n'roll was all about, or they were just went straight for mainstream commercialism. I actually love "Hair," but it's purely musical theater, hippie culture depoliticized and sensationalized for tourists. In any case, it's pretty awesome to hear 'em try to wrap their accents around the wordy nugget, "Manchester England." 


A big danke to Count Otto Black!

THE GREAT CELEBRITY SING-OFF

Remember the wildly popular "Golden Throats" collections of singing celeb records? 'Twas one of the few areas where the strange-music world and the mainstream met. Those comps, the gods' gift to "morning zoo" radio shows, reveled in recordings by misguided (mostly) actors who probably shouldn't have had any business singing. Record collector extraordinaire MadJon, the man who bequeathed the "Disco Sellout" and "Come Suck With Me" collections unto us, has picked an amazing assortment of Hollywood fruits for us, continuing the "Golden Throats" tradition. There are some straight novelties here by actors who were not trying to be real singers, e.g.: Jim Backus' classic "Delicious," in which he and a lady friend get gradually rip-roaring drunk, and Frank Gorshin's utterly nutso appearance as his "Batman" character, The Riddler.  But most of these sincere attempts at musical art range from unintentionally hilarious to just appalling. The Bruce Willis track in particular will make you want to punch the guy should you ever meet him.

The Brady Bunch's version of the usually interminable "American Pie" is one of the best recorded - it's only 3 minutes long! Why does Pat Boone get so much crap for his Little Richard cover? After all, Gale Storm's take on Smiley Lewis' "I Hear You Knockin" is just as jaw-dropping. Both Rex and son Noel Harrison are repped here, and the Burl Ives song is actually called "The Tail Of The Comet Kohoutek." Was great to finally get a copy of Bert Parks singing the traditional "there she goes...Miss America" pageant theme. And what the hell is Richard Harris on about? Even if you're not familiar with all the names here, the tunes, in styles ranging from rockabilly to schmaltzy lounge, are a sick treat.

MAD JON'S GREAT CELEBRITY SING-OFF

Much thanks to Mad Jon!