THE BIG RUMBLE! Uncensored Scenes of the Nightmares of a Weirdo

(Back up, by request: Roky Erickson live, Jonathan Brandmeier, Bah Humbug, and CURL ACTIVATE 2: More '80s Hip-Hop Novelties.)
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Never before in the history of blogging has there been such a SHOCKING collection of '50s/'60s audio atrocities! You'll flip your wig (or your switchblade) when you...HEAR riotous rock'n'roll and rancid radio ads! HEAR bad-boy bikers blowin' rhythm-and-blues! HEAR their rockabilly "rumble" with rival gangs! These heathen hot-rodding hoodlums and harlots are on a one-way drag race to HELL!

Music For Maniacs, the blog that brought you such SIN-tillating compilations as "Voodoo Dance Doll," and the banned-in-Boston "Hubba Hubba!," are back with an all-new spine-tingling collection of virgin vinyl rips and recorded-off-YouTube sound selections, many of which have never been digitally available before! There are other similar collections of this sort of teen trash, but these songs have (so far as I know) not been previously compiled.

Starring in this festival of forgotten (forbidden?!) 45s: a teen-aged (and unrecognizable) Scott Walker, still going by the name Scott Engel; gay novelty act Sandy Beech; one Mike Minor, possible the only lounge crooner to tackle juvenile delinquency; a Frank Zappa production; both a song by the Cheers (featuring future game show host Bert Convy) and a cover of the Cheers' hit "Black Denim Trousers" (that I think I prefer to the original); Harold Lloyd Jr - yes, the son of the hanging-off-the-clock guy - who had a short, strange life; and since every psychobilly/Cramps-related comp features Link Wray's "Rumble," we're including a different Wray rumbler that might be an even better tune.

Volume 7 of our ongoing survey of mid-century sleazy-listening sounds is in limbo - on a hard-drive that has apparently crashed. A drive I bought to be a backup for my main drive!  Damn thing (a Passport) is less then a year old. Hoping it can be recovered. So we're jumping to Vol. 8.

As Oliver Reed sings:
"Black Leather, Black Leather, Smash Smash Smash!
Black Leather, Black Leather, crash crash crash!
Black Leather, Black Leather, Kill Kill Kill!"

"LOWBROW Vol. 8: The Big Rumble"

1 ad - "The Thrill Killers"
2 Link Wray - Rumble Rock
3 Jeff Daniels - Switchblade Sam [one of the more surreal, hysterical rockabilly boppers I've ever heard, describing some kind of orgy between Long Tall Sally, Stagger Lee, and, er, Charlie Brown?]
4 Oliver Reed - Black Leather Rock [from the film "(These Are) The Damned"]
5 The Shadows - The Rumble
6 ad - "High School Hellcats"/"Hot Rod Gang"
7 The Cheers - Chicken [presumably inspired by the "chickie run" scene in the James Dean film "Rebel Without a Cause"]
8 The Champs - Experiment In Terror [like Link Wray, those "Tequila" boys The Champs did in fact record more than one song]
9 The Diamonds - Daddy Cool
10 ad - "The Wild Rebels"
11 Bill Woods - Go Crazy Man
12 Alexander (Sandy) Courage - Hot Rod Rumble (Main Title)
13 Bob Peck - Sweet 16 [cool song Bob, but you're still the poor man's Tom Lehrer!]
14 Ray Smith - Rockin' Bandit
15 The Orange Groove - Street King [it's a shame we'll never know what geniuses made this brilliant quasi-Middle Eastern bad-boy oddity for a budget label]
16 Don Lonie Talks With Teenagers (excerpt)
17 Scott Walker (aka Scott Engel) - Good For Nothin' [Wow, before I came across this 45, I had no idea about the pre-Walker Brothers rockabilly past of Scott W.]
18 Homer Denison Jr - Chickie Run [hello, sound fx!]
19 Steve Karmen - 'Teenage Gang Debs' theme
20 ad - "Fiend For Flesh!"/"Road Rebels" [alas, these films, scarcely released in the first place, are considered lost]
21 Hal Blaine & the Young Cougars - Green Monster
22 Hells Angels (dialogue)
23 The Diamonds - Black Denim Trousers and Motorcycle Boots
24 The Rotations - The Cruncher [not "The Crusher"! but an early Zappa production]
25 Die Crazy Girls - Der Feuerstuhl (Leader Of The Pack) [is she saying "buzz off, buzz off" in this German Shangri-las remake?]
26 ad - "She Devils on Wheels"
27 Epitones - The Mighty Rumble
28 Sandy Beech - Leather Jacket Lovers [amazing that this outrageous s&m parody was released back in the '60s; how did they get away with it!? Er, well, maybe J. Edgar Hoover dug it, he was a pretty kinky cat...]
29 Harold Lloyd Jr w/Page Cavanaugh - Daddy Bird [from the terrible film "Frankenstein's Daughter"]
30 Mike Minor - Rumble In The Night
31 Hash Brown - The Rumble
32 ad - "Bury Me an Angel"
33 The Crickets - I Fought The Law [yep, 'twas a post-Buddy Holly Crickets that wrote and first recorded this classic; why was it not the hit that Bobby Fuller's version was? Perhaps  the reference to a "zip-gun", the homemade rubber-band-powered gun that punk kids used, was too controversial; changing it to "six gun" removed it to a safer Old Western past]
34 Vicki Young - Riot In Cell Block #9 [the Leiber and Stoller hit for The Coasters (dba The Robins) gets a female makeover]
35 Barry Green (aka Barry Blue) - Shake A Tail Suzie [a Suzuki 'cycles promo]

Robert Williams: Buy His Records

Anyone who played in Captain Beefheart's Magic Band is of course an automatic A-lister in the avant/strange music world. So it's no wonder that late-period Magic Band member Robert Williams' debut solo release, a four-song EP from 1981, is chock-a-block with strange music superstars: a couple of DEVOs, a slew of Zappa/Beefheart sidemen, even Robbie Krieger of the Doors. And the music is quite nice, too, moving into (slightly) more commercial New Wave territory with its' integrity intact.

But unfortunately for Williams, his 1997 public humiliation on the hugely popular (and still running) "Judge Judy" show is what he will always be best known for, at least until reissues of "Doc At The Radar Station" knock Bruno Mars off the charts. Williams toured with PiL, and attempted to sue no less than Johnny "Lydon" Rotten himself. To put it in strictly legal terms, he did not win.The complete episode is no longer available on-line, and the short clips that are up don't do it justice, so you'll just have to trust me when I say that it was one of the most howlingly funny moments in TV history. 

Poor li'l fella. He does deserve to remembered for his music, not just with the Cap'n, but on his solo records, and with Eazy Teeth, who made one great experimental synth-punk single in 1980 that featuredTito Larriva from the Plugz on vocals, included here. Also: 2 tracks from his fine 1998 album that is in print, "Date With The Devils Daughter": "Hello Robert," which features some hysterical (in all senses of the word) answering machine messages from Wild Man Fischer, and "Frank and Don and Me", feat. guitarist Jeff Morris Tepper from his Magic Band days. Not bad for a "nudnik."

Robert Williams - Buy My Record + bonus tracks

SESAME STREET DISCO - TWO ALBUMS

Back in 2007, I posted a rip-roaring "Rubber Duckie" as part of my "Disco Sickness" collection I put together for Otis Fodder's 365 Project and WFMU. I never got around to digitizing the entire album, but a swell Maniac did, throwing in another album to boot. Brian, a contributor from the Growing Bored For A Living blog, sez:


Hello, all. A few years back when I started browsing blogs, I came across this glorious pile of music known as Music For Maniacs. I've gotten many great things from this blog, and was always looking for something strange I could contribute here. Well, I found it...

In 1978 and '79, to capitalize on the disco craze, Sesame Street released two albums: Sesame Street Fever and Sesame Street Disco. Fever even had the participation of Robin Gibb (on the title track and on "Trash"), due to the input of his children, who were Sesame fans. Some songs even made the show, most notably the gonzo booty-shaker "Me Lost Me Cookie At the Disco", off of Sesame Disco. And this isn't a hack job either: there's some real pros playing in the studio - the music is flawless.

File includes both albums, put together under the title Sesame Street Ultimate Disco Party. Also includes artwork. Audio files were ripped from quality YouTube vids; that's why one track has an outro by the YouTube poster. They all sound great, though. Add this one to your pile of disco madness, right next to Ethel Merman...though this one is far better. Enjoy!

"Sesame St. Disco" 

01 Sesame Street Fever

02 Doin' The Pigeon

03 Rubber Duckie

04 Trash (w/Robin Gibb)

05 C Is For Cookie

06 Has Anybody Seen My Dog

07 What Makes Music

08 Me Lost Me Cookie at the Disco

09 The Happiest Street In the World

10 Sing

11 Disco Frog

12 Doin' The Trash

13 Bein' Green

14 The Happiest Street In the World

Muppets + ridiculous hi-NRG '70s disco = party. Now kids, what do we say when someone gives us a present? Thaaaank yooooou, Brian!

THE WEIRD WORLD OF BLOWFLY

Back up by request: Zoogz Rift "Ipecac" and "War Zone."

David Bowie's death has rocked the world (as well it should), but let's not neglect to note the recent passing of another legend, albeit a very underground one: the genuinely unique, bizarre, and offensive performer known as Blowfly. As interviews attest, the man was a real character. I discovered the foul-mouthed funkster c. 1987, after stumbling across the album "Blowfly's Party" in a used record blowout sale (probably paid 50 cents at most) and wondered: what is the deal with this guy?! Some years before hip-hop got nasty and was still in it's bubblegum phase, this album featured such tunes as "Prick Rider" and "Can I Come In Your Mouth." As George Takei would say, "Oh my..." A few years later, I saw him, with Rudy Ray Moore opening, at Brendan Mullins' great post-Masque venue, the Club Lingerie, and it was the most star studded show I've ever been to. Seriously. Everywhere I looked, there was Stan Ridgway, one of the Bangles, Flea, Henry Rollins...had no idea Blowfly was such a cult figure. Little while later, he was opening for the Pixies at the height of their popularity. Crazy. Back in 2007, I reviewed on this here web-log his then-recent "Punk Rock Party" album he released on Alternative Tentacles records, which you can (and should) listen to HERE.

It's amazing how he made a career out of the most vulgar, immature potty humor, performed in pseudo-superhero costumes. Even if you don't think he's that funny, you gotta respect that. A truly singular talent.

His first album, "The Weird World of Blowfly" is a great funk record - for those of you who don't find singing "My Baby Keeps Farting In My Face" to the tune of "Raindrops Keep Falling on My Head" funny, it really is enjoyable for it's musical merits alone. Recorded live before a properly unruly audience, the band doesn't quit, with each song seamlessly flowing into the next, a la James Brown's live medleys. Blowflys' singing is surprisingly decent. His crack band included Timmy Thomas on keys, who would have his own hit with the classic organ/primtive-drum-machine classic "Why Can't We Live Together," guitarist Little Beaver (love his "Party Down" album), and bassist George "Chocolate" Perry, who, oddly enough, played with Joe Walsh, Neil Young, and Stephen Stills.

The follow-up interjects a little more comedic variety into the smutty-new-lyrics-to-hit-songs formula by framing the songs in tv show parodies. Good idea, but chopping up the tracks instead of letting it flow like the first album was not. Still, a worthy follow-up, with an almost as hot band. Both albums have a great live sleazy ambiance, like you're in the coolest basement nightclub or sweaty little bar and everybody's drunk and wild. And how 'bout them album covers?


Blowfly - "The Weird World of Blowfly" (1973)

Blowfly - "Blowfly On TV" (1974)
 

HAPPY (BAND)CAMPERS: WEIRD EDITION

"American Folk Music" is the most boring possible name for an album, but fear not! The latest release from veteran North Carolina wackos the Moolah Temple $tringband is anything but dull. They take songs from Harry Smith's venerable "Anthology of American Folk Music" and radically warp them by introducing such elements as exotic Middle Eastern-isms, clanging and banging percussion, incongruous '80s hip-hop style drum machine beatz, even a bit of rapping on one song, and mix them with the trad sounds of guitars, banjos, and a skillful fiddle that suggests that someone has been taking music lessons. The hideously/hilariously inappropriate combination of traditional folk music and Autotune (!) on "Farmland Blues" had me laffin' out loud. Also dig: the fuzz guitar crunch of "Little Moses" (even tho it goes on too long), and a version of "John Hardy" that might even be better than the Gun Club's? Scuzzy vocals are often distorted beyond recognition. "The Titanic," however, actually approaches mainstream respectability, complete with perfectly competent backing vox.

Moolah Temple $tringband: "American Folk Music"

More Bandcamp weirdness ahoy! L.A. nutters Freshly Wrapped Candies have unwrapped an old album of theirs from 1989 chock full of hermetic, inscrutable DIY obsessions that, perhaps inevitably, are sometimes reminiscent of The Residents, esp. on songs like "Grandfathers' Rug". Other standout songs like the downright catchy "Think" and the Beavis and Butthead-ish "Pitter Pat" don't immediately suggest any particular influences. Organically strange, but not off-puttingly so. It emerges from the haze with its' humanity intact.

Freshly Wrapped Candies: "I Like You" 

HAPPY (BAND)CAMPERS: CHILL EDITION

I don't even know how to deal with the death of David Bowie, at least so far as this blog is concerned. He was such a monumental figure in my musical upbringing that I wouldn't know where to begin. Ah well...in lieu of anything relevant, here's the post I had planned for today. If, like me, you've just been listening to lots of Bowie and want to take a break for something a little new and different, I must say that the mood of these songs is strangely appropriate: 

What will you do with all that xmas scratch your relatives laid on ya? What, they didn't give you anything? Bastards! No matter - these zesty-flavored new(ish) releases can be listened to, and in some cases downloaded, for free.

We're long-time fans of Twink, The Toy Piano Band, and not only can you now check out his entire discography on the Bandcamps, but you cats must also dig his latest:

"Dust Bunny"

This album is inspired by winter, and so has a somewhat more somber tone to it. Somber, yet cartoon-ish, if you can imagine that. The master of toy-tronica is in fine form on such pick hits as "Pipper Snitch," and "Sparklemuffin."

Not sure how I discovered Corpus Callosum, probably by searching for unusual instruments, but this bunch of eccentric California folkies have come up with what is possibly the most gorgeous tune on Bandcamp. Musical saws and accordions beautifully creak along with sing-along vocals:


Corpus Callosum: "Hymnal"


Now that you're all properly relaxed, I shall send you off to dream-land with this stunning bit of Eno-Frippy drum-less drone courtesy of the Connecticut combo Landing.

Landing: "Yon"


As with the Corpus Callosum track, I haven't really listened to much else by this group. I just keep returning to this one. Music to hibernate by... 

OUTER SPACE MUSIC FROM OUTER SPACE!

Who or what is/are Ko Transmissions? I don't know, but the lengthy letter that accompanied the cassette release featured here tells a long, involved story of musical messages sent to planet Earth by the Ko people. Yes, we have apparently made contact with space aliens. You heard it here first!

Ko-core is all instrumental. The tape gets off to a good start with some lovely harp sounds. This is followed by a drummer-less rock band, and a vaguely Middle Eastern electric guitar solo. Those last 2 parts weren't too interesting, but @ 9:12 we get to an excellent passage of exotic tribal drumming backing more Middle Eastern sounding violin (?) and possible other stringed things - music for green-skinned belly dancers entertaining their masters on some far off planet.

Which is followed by spooky guitar drones that smack of vast interstellar voids. Fine stuff. Next up, some noodly guitar plucking; a lengthy track starts @ 21:00 with drums and  what sounds like mbira, cowbell-y percussion, and some kind of ethnic flutes/woodwinds that sounds like an Irish pennywhistle made out of PVC pipes. Then: atonal guitar skronk. I like the oddly bent Residential noises that start around 32:00 and the ambient drone that follows it. Some Beefheartian proggy guitars are then called to prayer at Mecca, and we're done.

None of it sounds particularly extra-terrestrial, but neither does it sound like any standard musical styles, unless 'random weirdness' is now a genre. 44 minutes of inter-planetary communication here:

Ko Transmissions